My usual query letter has two paragraphs dedicated to the manuscript (paragraph one: the hook; paragraph two: the synopsis), followed by a paragraph dedicated to me as a writer (my inexperience in the writing world and my marginal successes in other writing realms) and then I end the letter with why I thought the agent would be interested in my book (sometimes citing examples of work they've represented).
That is not hardly enough to base a decision if you like it or not. So obviously the agent (or gatekeeper) must be going on subject matter alone. Not the YA part, because I wouldn't have queried them if they didn't represent YA, it's the type. This seems to be the problem with my creativity.
I write YA (which I mentioned before), but not the fairytale "everything's going to be fine" type. I feel that if the voice is to be believable, there can't be a fairytale ending, just comprehension - growth. My protagonist has a journey to make, and she comes in contact with others on their own journeys. Naturally there's no smooth sailing, she's a teenager. That alone should scream the makings of an emotional rollercoaster in the land of the unknown (which could be anything).
Isn't that the goal of writing YA? To capture the uncertainty, while showing the growth that comes from discovering the unknown? I admit my world is darker or "edgier" than some, but it's still the same world. Nothing is sugar coated and syrupy sweet, but does that mean because of its rough edges, it will be passed up? Where only a brave few will be willing to read passed the initial query? Has it come to me making the edges disappear so that more agents will be interested? I can't even fathom an unrealistic imaginary world of force fed happiness.
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